Hughlings Himwich

Summer Rain

If it would only rain my words would pour forth like girls and boys too young to know shame O they are bold as I would be the rain falls I am young again dance touch while the music plays so falls the rain O she is here there are tears of joy tears songs of praise for the beauty of the day earth yields up its flowers to her hand turns to gentle thunder her body lifts and holds her laughter makes the night shudder unbinds her hair and falls to me now here now there like summer rain

Being There

for Charles and Pauline

 

When she said I won’t be coming back

She knew you would

And would bring such living memories

That she would forever be at rest

With you there, always

Returning with the morning light

Or when it rains

Or whenever you set off from the shore

 

Or gathering the warmth of a fire

You will find through her

The wild peace, the ecstatic

Harmony of color, the sacred

Loon that calls us to life

That in its leaving never departs.

 

The Source

Who will come and who will go

To and from this place alone?

I’ll hide this poem where once I was:

The poet gone, the source unknown.

 

All of It, Every Bit and Piece of It, is Poetry

Love has taken up knitting.

Truly, he was as alone as he had been in the beginning when there were only himself and the vast emptiness of space that seemed to want to swallow him whole.  

In that time before time, he had discovered that if he whirled like a dervish, bits and pieces of his colossal corporeal being would fly off and, as he spun faster and faster, he filled the space around him with feathery forms that floated aimlessly about him.

Some had the shape of white linen on a clothesline but others looked like bats. There were even eyes looking back at him, dazzled, and he saw sharp, heavier bits of silver and gold that had been flung far off and arrange themselves as constellations, though for him the great stories were yet to be told. Theseus had not yet sailed for Crete. They were not yet the museum pieces they are today, though he could not deny the wonder they evoked.

As he had never seen himself, he looked upon all this jumble as simply Other and called it Friend.

Then, on what we now would call inspiration, he let out a great shout of greeting (SAL WAY TE  wA LAY TE) and the bits and pieces began to attract or repel other bits and pieces.

In an instant that would seem to us endless time, doll-like figures began to emerge and some of these appeared to be giving parts to each other as though they were gifts.

He was still lonely, of course. After all, these figures, except for the eyes, were lifeless, but then, thinking he was making a joke, he began to play with these megoistic forms and discovered a power within himself to bring them to life and was able with practice to forget to remember that all their laughter, lovemaking, and quarreling were nothing but he himself playing alone.

Some of these strange beings even seemed to be aware of their creator, but soon enough they began to vie for his favor, tearing each other apart, piling up body parts, and setting them on fire. Some, out of gratitude, made living torches of themselves. They thought he, their creator, would inhale the smoke and be pleased. He wasn’t. Indeed, he was appalled to see what had formerly been bits and pieces of himself going up in smoke.

It was then he decided to stop spinning and take up knitting instead, hoping to piece together what was left of himself into one colossal Other, who might one day be a comfort for his loneliness.

He worked day after day for seven days without sleeping until he could no longer hold off the night, though it would have looked to us today as if he had just given up.

When he woke from his dreams, however, he discovered his loneliness had vanished. Before him was a wingéd Other. He called her Anima because he felt she had always been as close to him as the wind. Anima Animus Animus Anima was his mantra.  

He now took up his knitting in earnest, but after every cycle of seven days, he would sleep and dream and discover upon waking other wingéd forms to whom he also gave names inspired by what he felt when he first saw them, names like Twilight and Shadow, Dawn and Cobweb, Shifting Sand and Trumpet, Midnight Blue and Riverunrun.

And all these lovely, strange wingéd Others would bring him earth, air, fire, and water as gifts, and he in turn would dream up worlds for them in which their strange and varied beauty would be at home.

He did not know exactly how all this had happened but felt as if he now had a purpose, though at the time he actually knew nothing at all about this. It was as if there were some great something at stake, but when the earth turned away from the sun on every seventh day, he would, like time itself, fall asleep and dream again.

Truth be told, he was still alone, but now the wind told him that all this, every bit and piece of it, was poetry.

 

Always Looking

 

Because I am always looking

To the sky as if it were a mirror

I do my best flying at night

 

Because I am always looking

Into your eyes as if they were mine

I know both loneliness and love

 

Because I am always looking

To catch up with myself

I am always late, always waiting

 

Because I am always looking

I cannot see what is not there

Though it cost me my life

 

Because I am always looking

I am blinded by the light

 

Cum carmine in meo corde

For my students

As a child, he had always felt close to birds. It was as if the birds revealed to him some other way of being in the world, what he would now call, as an adult, another reality. As a 6-year-old and then a teenager and later as a father and a teacher, he never stopped hoping that the birds would not fly off when he came near or, more secretly, that the birds would actually come to him. They didn’t, and he blamed himself, thinking if he had been a better person or more at peace with himself and others, the birds would naturally perch on his shoulders or nest in his beard. He scolded himself for such foolish thoughts. Then one day, while on a long solitary walk in the mountains, a bird did come to him but only to drive him off from its nest. It made him incredibly sad. When he returned home from his long walk, he slept the sleep of the dead but woke in the morning with a birdlike song in his heart. To the birds, however, nothing had changed. Yet, to this day, he still sings with the birds. Sometimes they do not fly away at once but seem to listen and join their song with his. He knew he was yet again being foolish, but now, at last, he felt strangely at peace.

 

Hail Mortal

ALL COBWEB
SEES IS

     AN ASS
IS AN ASS

IS A MAN
AT BOTTOM

PLAYS ALL
THE PARTS

A FOOL
LIKE

A LIFE WORTH
DYING

 

  — it took but moments
to write / not quite
a lifetime

 

What does real even mean?

What does real even mean?

Trying to understand it
We search out pain

Or maybe it’s different in Chicago
Where Janes and Johns play craps on the L

Or in the fields beyond
Where farm girls and boys give their bodies first to the sun
And then to each other and finally to the earth they love.

We make it up as we go along. What's true remains.
Let's call it rain.  

 

No Nonsense Poems

A Bedtime Story

Last night
Papa

Fell asleep
Reading

I didn't
Wake him

 

So, So Sorry

If I could find
The words

I would not
Need

To apologize
For this

Also

 

Sparrow

Not a sparrow
But this sparrow

That has already
Flown away.

 

Sorry to have missed you

You weren’t there
Or I was late

Or this was not
The place

I waited
It’s not a problem

It's just that
As I told you

I am really scared
— Perhaps another time

 

We must breathe to live

We must breathe to live

Until we weave ourselves

Into wind and breathe no more,

A grace we did not know we

Were living for — or think of

Rain and weep no more.  

 

The Disappearing Katharines

No one knew if Katherine was one or many because each time she vanished she came back as a totally different person who yet called herself Katherine and somehow knew things about us that only the true Katharine could know. We would perhaps have overlooked the startling changes in her appearance and personality (now like a sly cat, another time like a valkyrie or a damsel in distress) if only there had not been so many Katharines (this last time she had returned with a faraway look in her eye and raven black hair that had previously been unapologetically red) or if she had not insisted that she was in fact always the one and the same Katharine. Well, she has now vanished once again. We all wondered who she would be when we saw her next.  Perhaps a prima ballerina prancing about in piping-hot-pink pantaloons, prating on and on about some pearl of wisdom so priceless that it was actually worth nothing at all. We knew at least she would not be like us, blessedly familiar, wearing the spring grass down to a well-graveled path.  

 

The Man Who Couldn't Love Someone Like You

He had once been a happy man. He had loved everybody, boys, girls, old women who thought themselves still vibrant and sexy, and old men with dangerously foul breath. He found lovable what others considered obscene, like protruding teeth or flapping ears or a nasty-looking scar across the forehead.  He even found drooling as attractive as sweat. He couldn’t help himself. Others thought he was delusional or simply a dirty old man, until one day, he suffered a head injury, having slipped off a ledge while ogling sagging sunbathers. After he recovered, where he had once celebrated every blemish as a joy to behold, he now found crippling fault.  His constant refrain was, “Who could love someone like you?” He said this whether the person was overweight, stuttered or blinked too much or had dull brown hair or had one too many eyes. He reserved a special place in hell for redheads, whom he previously had loved to distraction. Some fondly remembered the “dirty old man,' but now putting their full faith in what had before been but a naive myth, claimed he had once been a lovely human being. They asked him what had changed and he said, “I woke up.” One day he took a good look at himself in the mirror and saw the faults he found in others in himself: unruly hair, yellowing and missing teeth, wrinkles that made his flaccid face look like a prune -- he even thought his skin had turned dark purple. So be it, he concluded, and banged his head as hard as he could against the glass. This time he didn’t wake up. Those who had originally thought of him as a dirty old man felt somehow vindicated. They said they had known it all along. “Plain as the nose on your face,” they said. Others, more simply, blamed it on the mirror.

 

I sit and knit and smile

ΠΑΝΤΩΝ ΧΡΗΜΑΤΩΝ ΜΕΤΡΟΝ

I sit and knit and smile
They think me dim

I cut and weave each thread
They merely measure

Theirs by mine.

 

"Now I Understand" - Linda Gregg

Three words
A lifetime
Who can speak them?
I cannot
this morning's night. 
Can you?

 

Stoned

 

Medusa was butch

but wore sunshine

as if it were hair.

Where did the snakes come from?

From men who stared.


(In the earliest descriptions and images of Medusa, there were no snakes. She was just stone-cold beautiful!) 

 

No Flame But Words

         
                        for Michaela

What’s left to say?
Just this

In the rain
There are sparks

Of dark fire.
Do you see them?

They are like roses.
Do you see them?

Do you see yourself,
Burning shamelessly?

How will you begin
When there is no end

To the night
Or the burning?

Think of a bird
On a branch

With no wings of flame
But words

To set itself on fire
And sing

Of the night
Of the rain

That will not stop.

Without that song
There is no morning light.

 

Hold True

In Memoriam

 

for Nathaniel Bowie

 

When we return there will be an empty space

That we will fill with true memories

Of one devoted to what we devote ourselves:

The life of the school, service to others,

Kindness, a look that says I will

See what I can do

                               And then do it.

"That's the face of a man who has seen it all."

 

                                                                                                                                           Photograph by Ber Himwich

“That’s the face of a man who has seen it all.”

Not so. There’s more to come
And it’s not all suffering loss
The mind shedding all

That is not nailed down
Eyes vacant still
Focused on what no one else can see
A sky so blue the light so full

That you can speak only
In single syllables silently
To the coming darkness
As though it were a friend

Passing onto another life
Where there is no sky
But the sky we have become
When at last we have seen it all.

 

Night Song

Quiet falls like leaves

Like night, the wheels

That turn the stars stop

There is no you, only

The sound of birds

Nesting in these words

So quiet they must be true

 

The Song of Songs

 

He thought of her as if she were with him, but the truth was that she was gone and she was not coming back. The last time they spoke on the phone, she had told him. And that was that. Still, he thought he could hear her voice, singing the song she had written for him, her father, though as it turned out, she had been, on that early autumn day, more in need of the song than he. It had been a song of farewell, though it seemed now, as he listened to the light falling around him, a lullaby like the one his own father had sung for him when he was a child and if that mockingbird don’t sing, his daughter’s words now restless and unsettled like that of a mooncast muse or like living with and without regret. He thought if he could just remember the words of her song or snatch their meaning out of the call of birds that had never abandoned him or feel their rhythm in the outflow of his heart or see the flash of her eyes in the flickering of the candle on his desk, she, the singer of the song, would be there for him now. Without knowing where the words were coming from, he began to sing. He sang of all he loved and all that he would be leaving behind when his own time came. Mostly, though, he sang of the sea, the song becoming the gentle rock and slap of the boat, following now only the river’s stream taking him out. He too was not coming back.

 

Love is so strange

Every time he looked at her, he scowled.  She finally had enough and asked him what his problem was.  He said, “You’re so beautiful. I can’t help myself.”  She didn’t understand. “But your face is so ugly when you look at me?” Now he didn’t understand and, of course, all the while he was scowling. Finally, she asked, “Can you smile?” and he answered, “I thought I was.” “No, a smile looks like this,” and she smiled for him. He scowled. Then, for some reason, she kissed him.When people see the two of them together now, hand in hand, scowling and smiling, they say aloud, “What an odd couple.” Love is so strange.

 

Somnium

 

Somnium: Out there in the stars a drum is heard and they draw near the soft body and nearer the other one within, softer now, slows, now sleeps. The moon hangs in the sky. We find our way there. First, a hand and only then the eyes. What do they see? The moon hangs in the trees, wind weaving the light. There’s a burst of autumn colors, then the tears come. We dig in the dirt and find seashells, bones, roots. Still, the drumming, leading us on. You close your eyes to listen, then wake to find yourself alone, pawing at all that’s not there, the drumming now too distant to know if it is anything more than a lonely heart.

 

Child's Play

When Selina saw the children at play, she wished that she could tell them and make them understand: Don't grow up. You'll never play like this again. Your feet have roots, your arms branches that reach out for the light. The birds talk to you as friends should, and you give them shelter. They, in turn, give you wings that will take you far away from this time and place. When you return and other children gather around you and ask why you look so sad, you will tell them a story, not yours of course, nor theirs, but of some other children whom time forgot, children whose wings became leaves and whose feet were rooted in the ground and free.  

The Winter Geese

for Pauline

The winter geese are almost gone

I know not where

They won’t be coming back

I’ll be waiting here a little longer

 

Her eyes wild dark shining,

"I won’t be here" -- she meant

She won't be coming back

I'll be waiting a little longer

 

Autumn's Child

 

I see you now, child, wrapped in vines and visions,

happy to find a place to hide, laughing hoping someone will find you.

Don't call out. No one will come.

Let the wind be your voice, just as you hear mine now.

It's autumn and the leaves rustle alive for one last song before winter. 

Someone will hear the wind laughing in the trees.

They will see you in all your glory.

 

My Pick-Up Line

 

Be brave! No more sneaking around, no more affectation!
What great soul said that? Yours, of course! One soul
seeks another, that's how it knows where to go.
You and I the same, same with wings and wind. 
if you keep hiding, you may prove
you aren’t there at all, no hands no feet, 
not those beautiful eyes that catch the sky
(yes, your eyes are beautiful. It's never a lie.)
no joy or grief, just an echo that dims. 
Listen! the ringing in your ear is the tolling of your soul:
it's time, it's time, it's time, it's damn well time already!
Enough of all this hiding only to lose, a soul
only knows itself as the moon,
the one becomes two. 
The less we fear and sooner than now
the more we can dance and dance our own tune.  
Let the kite go and be where it goes.
That's poetry! It's like falling in love . . .

                Hey there, beautiful, where ya goin?
                —I'm going with you. 

 

It's Raining Tonight

It's raining tonight.

there's thunder & lightning too

making sure we stop and listen

there's no place to go

no reason to be elsewhere

no summons for tomorrow

it's all happening now
here within & without
there's no need for prayer
I hear the beating
of every heart in my own
If this is a dream
I don't want to wake up

The Sound that Wind Makes

(for Maya)

I want words to breathe like I do, weep when I do, and bruise easily.

I want words to dream and remember those dreams that first set me on this path.

I want words to grow old with me and become like the lines in my face and tell me
      old stories that keep my stumbling spirit from falling and new ones that tell of
      love forever young and freely given.
I want words of no regret even for the sorry waste of all I have left undone, unsaid.

I want words to hold up a mirror and see there all who at some time have gone hand
      in hand with me through this life.

O what a wondrously crowded reflection that would be, all of them in the morning
     of their lives, young and old alike.  

O that words would fall like these tears and mark the page in silver and gold, the true
colors of night, that these words would live on in their hearts and find some rest there,
though I myself be nothing but the sound the restless wind makes on a cold night,
the wind that sweeps down the mountainside and past all the houses in which loved ones
have died and gathers up all those lost souls and scatters what is but dust and ash
through the deep space of time. 

The dead don't talk

I know why

the dead don't talk

to the living:

it hurts

to remember

and we stopped

listening

Charles & All

 

Hugh,

Yesterday was very busy.  I drove alone to Manistee to get a prescription for Pauline and a variety of things needed at the hardware store (mousetraps, a garden kneeling pad, lids for 5-gallon buckets, specific sizes of screws, ballpoint pens, paper plates, and groceries).  It took a long time and was tiring.  

I thought about your De Anima reflections but didn’t get farther than concluding that the Latin is preferable to the Greek (Peri Psyches) in that casual English usage would stimulate overtones of Life in Latin rather than of Mind in Greek.  Happily, neither would immediately connote “soul” in common parlance.

As usual, the problem is the fundamental poverty of language itself. You probably will have to gin up some poetry if we are to proceed further!

I have been sleeping well, and this morning I woke fairly early and was able to have more than an hour of reflective thought before getting out of bed. That luxury is counterbalanced by constraints on my writing time this morning. So, although my thoughts will have some semblance of order, my writing will not probe as deeply as it might.  I had probably better start with my comments because the pressure of time is increasing.

After we began reflecting on Julian Jayne’s take on Consciousness (when was that?), we came upon some agreement on the utility of the phrase: “subjective reflective self-consciousness”. (Did we hack that phrase together or did we incorporate it from someone else?) Without going further in that direction at the moment, I would also like to add the concept of “personhood”.  

I believe I sent you an article (tell me if I didn’t) on Aphantasia––the inability to form mental images of remembered persons, places, things, and experiences.  This rare phenomenon draws our attention to the fact that most people are able to form and be conscious of these images.  There are also some who cannot mentally “hear” remembered tunes. At one time I was curious about the fact that it is quite possible to vocalize pitches indicated on printed musical notation with surprising accuracy. As I reflected on this, I noticed that my vocal cords physically changed their tension as I thought of various pitches. [Just think of the bugle call “reveille”. You will be surprised at how dramatic and clear this sensation is]

FULL STOP!! A Great Blue Heron, the first we have seen this year, just flew up from the water under the “Yellow Iris Cedar” about 30 feet from me!  WOW!  What a spot!  What a life!

At any rate, “personhood”, although it can veer off and dive deeply into various realms, can be hijacked into being a stand-in for that element of De Anima that is limited to the idea of an essential human element that you allude to.

My, my.  I had no idea that I could reduce the deep waters of thought that I had this morning into something that would have any coherence at all––much less that it would relate  to the subject you are addressing.

I do hope that I can dip into the prospectus you sent, but I must warn you that I am also following the trail of the common elements of “the good Life & the good Death”––as well as living an otherwise ordinary life. 

Something will have to give;

It always does.       

                                Charles

 

                                                                    Charles & All

                                                                              (June 9, 2021)

                                                                This morning's herald: 

                                                                Rising from the water

                                                                Beneath the cedar

                                                                And yellow iris,

                                                                A Great Blue Heron

                                                                Welcomes us home. 

 

 

 

The Poet's Voice

 

Poetry is what is missing
When you wake in the morning
And don’t listen for the silence
That will always be with you.

But for that unheard song,
There would be no call
Of bird, no sigh,
No laughter, no word

Beyond the word
To call you home.

When your love speaks,
Listen for that silent singalong,
For the truth that cries out
For life and to live

Beyond life itself. 
Do you know that voice?
There are children playing
In the rain. There’s one

Who stops and listens, his heart
Beating wildly with your own. 

 

A Madrigal: Bembo and Cervantes

Don Quijote (II, 68):

Amor, cuando yo pienso
En el mal que me das terrible y fuerte, 
Voy corriendoa la muerte,
Pensando asi acabar mi mal inmenso.
Mas en Ilegandoa l paso,
Que es puerto en este mar de mi tormento,
Tanta alegria siento,
Que la vida se esfuerza, y no le paso.
Asi el vivir me mata,
Que la muerte me torna a dar la vida.
iOh condici6n no oidal
La que conmigo muerte y vida trata!

https://youtu.be/5q8G1PSCKyg

O Love, when my thoughts turn
to the suffering, dread and fierce, you bring,
I swiftly run toward death,
hoping to end forever the pain I feel;
but when I reach that place,
the port in this rough ocean of my torment,
I feel such joy and gladness
that life grows strong and does not let me pass.
And so my living kills me,
and death insists and gives me back my life.
Mine is a novel state:
I go on living, and constantly die.

(Cervantes, Miguel de; Edith Grossman (2009-01-29). Don Quixote (p. 905). Harper Perennial.)

Bembo: Gli Asolani, o Los Asolanos (1515)

Quand'io penso al martire,
Amor, che tu mi dai gravoso e forte,
Corro per gir a morte,
Cost sperando i miei danni finire.
Ma poi ch'io giungo al passo Ch'?
porto in questo mar d'ogni tormento,
Tanto piacer mi sento,
Che l'almas i rinforza,o nd'ion ol passo.
Cost il viver m'ancide:
Cosi la morte mi ritorna in vita.
O miseria infinita,
Che l'uno apporta e l'altra non recide.

Mignarda - Quand'io penso al martire by Jacques Arcadelt (c.1507 –1568)

When I think of the suffering 
That love has so grievously forced upon me 
I hasten toward death 
Therefore hoping to end mine own damnation. 

But then to add to the suffering 
I stand at the port of this same sea of affliction. 
Senseless in the face of such delight. 
Why the ship of my soul braces a waterless wave. 

Thus, living kills me; 
Thus dying, life returns. 
O endless misery 
One gives, and the other takes away. 

Here is my own take on this theme in Latin and then in English.

Amor

Amor, mori velim 
abesseque ab asperis vitae
sed mors me a litore tuo repellit
donatque mi tantum gaudium 
ut mare meo in corde tuum inveniam. 

Love, I would wish to die
and be far from the harshness of life
but death drives me from your shore
and grants me such great joy
that I find your sea in my heart. 

 

Remembering

    

Photo by Ber Himwich

Remembering

How like the river this scattering

Of ash. It takes our tears to heart, 

And every sorrow flows through love.

 

The river reminds us of tomorrow.

The river runs through every sorrow. 

 

But For Song

for Eve

If the world were round
And night had its way,
Then words would mean
just what we say.

But the world plays false,
Sometimes flat, sometimes hoarse
And sometimes singing
Like a tuning fork.

And sometimes night
Shines with loving eyes
And says what we mean
with joyful sighs.

 

Of Another Life

          (June 27, 2021)

The silences of flowers

Teach us to listen

To our own

            *

These morning birds

Sing of the night

And the fall of rain.

            *

The shadows of trees

Fall like tears like light

upon the grass. 

            *

The wind takes

Our breath away

And is always at rest.

 

What is not there

Though I am known to God
As Hughlings, my friends call me
Hugh and leave it at that --
Grace takes care of the rest.

Though I do not believe
In anything or have any Jesus,
Yet I retain a kind of genius
For harmless lies.

It is as if during the day
I can still see the stars
Blazing out of the night
And truly see what is

not there. Some say
it is a harmless madness --
My friends though look deep
Into what were once my eyes

And all they see is night.

The Weird Sisters

What it's like to be like you?
A cat's meow or thunder's tune?
Try out both and be amazed
How different is on different days, . 
Feeling bad? Let's make it rain
and give ourselves another name:
John is Sally but who's to blame?
Something wicked this way came. 

Round again and up your snout
Be pretty now! Don't let them out!
They do not know and yet they do.
Step through the veil and say it true:
Life is death, and death a friend. 
What begins today will never end. 

 

Jumping the Gap

     

   for my students

 

There are so many echoes in my life, but there’s one voice louder than the rest.

         It tells me to move on, be on the move.

There will never be a time just to look back and wonder.

Even this morning there are the birds, ever still in flight, and the wind

         Chirping in a nest of leaves. They say, Fly away and be still.

A phantom hand reaches out . . . now so near . . .  It’s Her hand –

         It pulls me forward. Flower and flame await, love and consummation.

This is what I believe: it’s never over.

May the next words I write bind me . . . cricket and rock,

         rain and tears, sparrow and sorrow . . . all one . . .  

         too foolish to see the trees in winter.

A hand claps: there are children at play, lovers blushing, there is a road leading into the

          mountains, the birthplace of sky and sea.

I jump the gap and see it all as flower and fire, worlds appearing and disappearing like children,   

          a daughter not to be but in love’s mirror.  

Here all is possible and real – a needle threads its way, becomes a tuning fork.

I move on and hear every heart beating as one its own raucous rhythm,

          unaware of the harmony that is creation.

I move on. A tiger leaps through the gap and mauls its prey, a girl beats her heart out on a

          drum, unheard; a babe lies abandoned in an eagle’s nest, its cry my

          own. My breathing stops.

I move on. A blue sky thunders, stars are born and burn out, a raven’s

         wing covers all.  A whirlwind out of the darkness sweeps us all along.

Who knows but I will meet you on the way to terra incognita.   

But here I am, writing these words, my legs ache, my right foot throbbing. I am hungry, alone,

          my days more like nights, my nights more like spring, a dying ember.

But what about tomorrow or tomorrow or tomorrow when I do not wake to wind or jay.

Then, my friends, hear my song . . . it will be the whirlwind of creation,

          sung at last as it should be sung.

Listen, listen, never stop listening. It’s your song too.

 

For James Wright

 

 

        “ . . . They love each other.

         There is no loneliness like theirs.” 

 

There is, of course, the love of life

To go on living after one has lived

In that place that is no place

But like the wind finds itself at home

Touching all things like skin that shivers

And brings forth all we have loved and lost.

 

Spartoi

 

If we were to sow our teeth,

There would come stories

To make us shudder

Like the one about a desperately

Happy old man who gave up

His love of life to become

A gravedigger and lied

To those asking whose grave

He dug, falsely saying

He was looking for treasure

But so far had found only gold.

 

Spartoi: the ‘sown men’ of Greek mythology, born from dragon’s teeth. Cadmus in founding Thebes had for good reason slaying a dragon, sacred to Ares, and was advised by Athena to sow its teeth. The genealogical line of the Spartoi ends in a great many tragic stories, those of Oedipus and his spawn among them. In death, Cadmus and Harmonia, his wife, became snakes. It does not seem to have been a punishment. It is worth noting that Cadmus is said to have brought the Phoenician alphabet to Greece. The result we all know well. One might ask why are snakes sacred to the gods. To understand that would be a treasure. It may be necessary like Cadmus to become one.

Quirky Little Love Poems

 

Ode to the Stars

O she is pretty
But she’ll never catch me
Looking
More’s the pity

O she’s so pretty.

So simple is love
If only she weren’t so damn 

 

 

Da Blues

 

You left me standing there
Alone

Like a tree.

 

Do you know what it's like

Just standing there

Looking up 

At all that blue?

 

 

 

Not Another Quirky Love Poem

Please, not another love poem

That’s not about love at all. 

You know, like Platonic love

Or hate mail. 

 

Uva uvam vivendo varia fit (explained)

Uva uvam vivendo varia fit. 

This Latin phrase from Lonesome Dove is neither nonsense nor bad Latin.  It means "A grape becomes mottled by being a grape," with the sense: it is the nature of a grape to become "mottled" as it ripens.  In the context of the novel, this means, "Character is destiny" -- the truth of which is illustrated time and again in the novel.  The repetition of the 'v' strengthens the point. It is lovely Latin.

vivendo here is a gerund of vivo, in the ablative (instrumental).  uvam is a cognate or internal accusative (a play on vitam vivendo), a not uncommon feature of ancient Latin. Most often in Classical Latin the gerund and its object are rendered into the same case and gender, but the usage here is also well attested. The grammatical formation of the gerund and its object are too involved to discuss here, but for a Latinist it would present no problem. I have seen elsewhere the claim that vivendo is a "false gerund." That's absurd on the face of it (the gerund form of vivo is actually quite common, e.g. modus vivendi), unless the author of the post meant that vivendo was simply thrown in without any regard for its grammar or meaning. In either case, the claim is unfounded. The effort to derive this superb Latin sentence as a corruption of a line from Juvenal is likewise misguided and is likely responsible for the "false gerund" claim. At best, Juvenal's line is a red herring. Clearly, an accomplished Latinist, perhaps an acquaintance of the author if not McMurtry himself, is responsible for Uva uvam vivendo varia fit. 

Just as a grape or a man can become nothing other than what each is, pigs remain true to themselves. "We don't rent pigs. . .  Goats and donkeys are neither bought nor sold," only cattle and horses whose character man has fundamentally changed.  

 

 

For Zach Blanchard

 

Water is to flowers as music is to life. – Zach Blanchard

 

For Zach and Family and Friends: 

Time is but a heartbeat between then and now.

It is our song. We sing as one.

                                               --hh

 

For Zach Blanchard

Wild Iris

 

for Zoe

There’s that garden

that none

need pardon.

There wild Iris grows

beneath the trees

it loves.

They catch the light

and make its song

their own.

 

How a man becomes the sea

 

The moment she touched the old man’s hand

He lost his sight, yet standing lost upon the sand

He heard the light upon the waves like keys.

She sang and let him go and like the wind he sighed.

None knows what song she sang or how he blindly

Played with light or how a man became the sea.

Don't Give It Another Thought

Fool: But you did think of it, did you not?
Player: Think of what?

Fool: How they would applaud?
Player: No. Not at all.

Fool: Then you are a better man than I!
Player: I would not say so.

Fool: Nor would I.
Player: Would not what?

Fool: Say I am the better man.
Player: Of course, you said I was.

Fool: Yes, but I didn’t think it.

Knowing and Not Knowing

 

 

For Halie

“Do you see how young a feeling is?”

 

(for Halie if she will)

 

What is this body?

What words will tell the story?

What I feel

Comes upon me so softly

And burns so darkly

I float like a shadow

on the ocean floor.

 

I pray for rain,

Strike fire

From stone.   

 

Of what cannot be unsung

For Ciara

Between us now

                            a hat, a bird

By some ancient magic

                                      fly off with time

And never never land

                                   cry out

for what is not

                        here

between the lines

When shall we two meet again

in thunder, lightning, or in rain,

Or caught like oceans in our chains?

Lost in all, yet she sang

Of what cannot be

                              unsung:  

Two will ever be as one.

 

Ciara: 

 "a legitimate poem ... must be one, the parts of which mutually support and explain each other; all in their proportion harmonizing with, and supporting the purpose and known influences of metrical arrangement" (Coleridge 2:13)

the illegitimacy 

of time and poems

and star straddled nights

is what makes the moments

of between the lines,

the negative space,

the unspoken words

that pass between 

all that exists,

legitimately 

                 and illegitimately.

a hat blows in the wind

and a bird catches it mid-flight

on her way to an unknown space

where negative space,

unspoken words,

passes between her.